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The Held Breath †
horror

The Held Breath

by XXL boligrafo

84,203 words · 337 min read

"Some towns keep their secrets. This one keeps them underwater."

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About this book

Nadia Reyes left Little Sabine at twelve and swore she would never go back. Twenty six years later her mother's death brings her home to settle an estate, and to a house that has been waiting for her, cold in all the wrong places, a child's handprint set at the height of a grown man's hand. Under the floor of her old room she finds six library books that were never returned, their margins filled with the questions of a girl named Wren Kettle, a child who read Plato on a rock over the deepest water in the county and drowned the summer she asked one question too many. The town called it an accident. The town has been calling things accidents for a hundred years. As the haunting deepens, Nadia follows a trail her mother died guarding, into the beautiful blue spring at the edge of town, and into the Order of the Still Water, a society of the county's finest men bound by a stone, an oath, and a creed kept in the language of children so that only a child could ever betray it. To free the girl who chose her, Nadia will have to do the one thing Little Sabine has spent a century making sure no one ever does. Look. Out loud. Where the sun can get at it.
Content warnings
  • · Graphic violence
  • · On-page death of major character
Trailer
Sample · opening pages
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The porch light had been dead for years, but the moths still came. Nadia found them first, a soft gray drift clustered on the storm door glass, wings opening and closing against nothing. She stood on the walkway with her keys balled in her fist and counted her own breathing until it slowed. Behind the glass the hallway held its dark the way deep water holds a dropped stone. Complete. Patient. Closed over the top. She let herself in. The air inside was colder than the September night she had left on the step, and it was the wrong kind of cold. Not the clean cold of a cracked window. This sat low, pooled around her ankles, and shifted when she shifted, the way a cat threads between your legs. She reached for the switch. The bulb buzzed, caught, and threw a thin yellow circle that gave up long before it reached the corners. The kitchen chair was pulled out. She had pushed it in that morning. She was certain of the smallest things in this house, the way you become certain of a place you are afraid of. The chair faced the doorway now, angled, as if someone had been sitting in it and had stood up the moment her key touched the lock. On the table, a ring of water. Still wet. She pressed two fingers to it and lifted them to her nose. Nothing. Just cold. Upstairs, a floorboard settled. Houses do that, she told herself. They breathe out at night, they tick as they cool. She said it twice in her head and did not believe it either time, because the sound came again, and it was not the settle of old wood. It was weight. It was slow. It crossed the ceiling above her, heel then toe, and stopped at the top of the stairs. She looked up. The dust on the banister had been disturbed. One long smear, palm width, dragging down toward her, and above it, pressed into the film on the hallway mirror at the far landing, a single handprint. Small. A child's. Set at the exact height a grown man's hand would fall. The cold climbed to her knees. "Hello," she said, and hated how the word left her, thin and asking. The light bulb dimmed, not all at once but slowly, the way a held breath runs out, and in the last of it she saw the moths had come inside. They circled the dying glow in a tightening spiral, and under the sound of their wings, so quiet she felt it more than heard it, someone on the stairs said her name. She did not scream. Later she would be almost proud of that, in the flat way a person is proud of surviving something they never agreed to enter. She stepped backward into the kitchen with the moths trailing her like a thought she could not put down, and she set the table between herself and the doorway, and she stood there with both palms pressed flat to the wood until the cold thinned and the bulb steadied and the house was only a house again, ticking as it cooled. For a long time she did not move. The clock over the stove had stopped at some hour nobody had bothered to correct. The refrigerator hummed and shut off and the silence after it was enormous. Through the window over the sink she could see the yard going down to the treeline, and past the trees the low pale glow of the town that was not really a town, Little Sabine, three streets and a water tower and a church that had outlived everyone who built it. She had not stood in this kitchen in twenty six years. The call had come three weeks ago, on a Tuesday, while she was reshelving deed records in the basement of the DeKalb County courthouse where she spent her days keeping other people's official versions of things in order. A neighbor she did not remember, a woman named Coreen, saying it slow and gentle the way people down here said hard things. Your mama passed in her sleep, honey. Ofelia Reyes, who had raised Nadia in this house and then let her leave it and never once asked her to come back. There had been no illness anyone told Nadia about. There had been, in truth, very little between them at all for a very long time, a Christmas card, a birthday call that ran four minutes and was mostly weather. And now there was a house, and a lawyer in the county seat, and a stack of papers that needed a signature from the only child. She had driven down from Atlanta that afternoon with the windows open because the air conditioning in her car had given up somewhere around Valdosta, and she had told herself the whole way that she would sign what needed signing, clean out what needed cleaning, list the place with the one realtor in the county, and be gone inside a week. She was good at closing files. It was the thing she was best at. She had not planned to spend the first night. She had a room booked at a motel out on the highway. But the lawyer's office had run late, and the drive back in had taken her past the house at dusk, and something in her, some old bad instinct, had turned the wheel into the gravel and parked her there under the dead porch light as if she had never left, as if she were twelve and coming home from somewhere she was not supposed to have been. Now she looked at the chair, still pulled out, and she did not push it back in. She sat in it instead. It was, she understood as she lowered herself into it, the same chair she had always taken as a girl, the one nearest the window, and her body folded into it with a familiarity that felt like a small betrayal. She sat and she watched the doorway to the hall and the dark stairs beyond it, and she waited for the cold to come back, and it did not. The house held still. The moths settled on the ceiling one by one and stopped their circling, and after a while they too were only what they were, gray and stupid and drawn to a light that was no longer on. She meant to go up. Her mother's room was up there, and the small back room that had been hers, and she knew that somewhere in the coming week she would have to open every door in this place and decide what a life was worth by the box. But she did not go up that night. She told herself it was the drive. She told herself it was grief, which she did not feel in any shape she recognized, only as a kind of ringing absence, like a phone left off the hook in another room. She slept in the chair with her coat on and the kitchen light burning. She dreamed of water. Not drowning, nothing so clear as that. Only the sensation of being held under something smooth and cold and looking up through it at a light that would not come closer, and a smaller hand than hers reaching down through the surface, fingers spread, not pulling her up. Reaching past her. Reaching for something on the other side. She woke stiff and gray eyed with the dawn coming weak through the window and the light bulb still on above her and burning uselessly against the day. For a moment she did not know where she was. Then she did, and the knowing settled on her like the cold had, low and total. She made herself get up. She made herself climb the stairs, one hand on the banister, and she found the dust there undisturbed, an even film over the old varnish, no smear, no drag. At the landing the mirror held only her own face, tired and unfamiliar, and the film across it was smooth and whole. She stood a long moment looking for the handprint and there was none. She pressed her own hand to the glass and lifted it away and watched the mark she left begin, slowly, to fade into the film again as if the mirror were quietly erasing her too. Grief, she thought. Exhaustion. A woman alone in her dead mother's house at the end of a long day imagines a great deal. She almost believed it. She went back down to make coffee she was not sure the house would have, and it was there, in the kitchen, in the flat clean light of morning, that the belief left her for good. The water ring on the table had dried. Where it had been there was only a faint pale circle ghosted into the old finish, the shape of something that had sat there wet and been taken away. And inside that circle, centered in it, placed there the way you place a thing you want found, sat a small yellow barrette. Cheap plastic. Shaped like a bird in flight, wings back, the kind sold three to a card at a drugstore. The yellow had gone chalky with age and the paint had worn away at the edges where small fingers would have worked it open and shut, open and shut. It had not been on the table when she sat down. It had not been in this house, she was certain, for a very long time. She picked it up. It was cold, the particular cold of the air that had pooled around her ankles the night before, and it warmed slowly in her palm as if it had been somewhere without any warmth at all. She knew it. That was the thing that made her sit down hard in the pulled out chair. She knew the barrette, knew the exact give of the little clasp, knew it the way she knew her own name, and she could not for her life remember where the knowing came from. It was a memory with the center cut out of it, a photograph with one face scratched away. And then a name came up in her mouth like a stone she had been holding under her tongue her whole life, a name she had not spoken and had not, she would have sworn one minute earlier, ever known. "Wren," she said, to the empty kitchen, to the cold barrette in her hand, to the house that had been waiting twenty six years for someone quiet enough to hear it. Somewhere above her, very softly, a child began to laugh.
About the author
XXL boligrafo
XXL boligrafo
@writingzombie

"I'm an avid reader building a platform we can all actually enjoy. A place made for the way people really read and write, not the way platforms usually force them to. Right now I'm eighteen feet deep in Part II of the Chronicles of Bass Reeves, and not planning to come up for air anytime soon. My work lives where history meets the impossible: I take the real texture of the past, the dust, the law, the men who carried both and thread it through fantasy and thriller sequences until you're not

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